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“Brilliantly written, directed, produced and performed. Funny and dramatic. Five stars”
Spinning Wheel Theatre is one of those enterprising ensembles which the East Anglian air seems to generate; you see similar sort of activity down in the West Country, so perhaps a certain geographical remoteness also comes into the equation. For its current short rural tour Amy Wyllie has created Casanova. That’s right, a three-actor historical drama with epic pretensions.
Wyllie’s main influence seems to be Marie Antoinette, the 2006 film by Sofia Coppola with its soundtrack mixing genuine 18th century music with a more popular – even punk – 20th century beat. It’s all pleasantly tongue-in-cheek as Joe Leat introduces us to the title character and his many shifts to create a name and a place for himself. There’s more than a touch of Candide or even Don Quixote in his eternal optimism mingled with a definite naîveté.
It’s an enjoyable performance which lets the audience into the joke right from his first appearance. All the women in Casanova’s life (and there were a great number of them) are played by Lucy Benson-Brown with the aid of a dazzling array of quick gown and headgear changes; design is by Becca Gibbs. All the men who either help or (the majority) hinder our hero’s picaresque career come in the form of Samuel Norris.
It’s a romp and not to be taken too seriously though the comparatively quiet ending where Casanova finds a sort of contentment in writing his memoirs under the protection of the Prince de Ligne, visited by his first (and possibly only true) love Henriette, gives a gentle sense of quiet fulfilment. He’s come to the end of his journey, and to the end of his days. What remains is a legend.
Anne Morley-Priestman, Monday 3rd October 2016
Henriette and others
Charles de Ligne and others
Arts Council England
The Unity Theatre Trust